Igun Street Gallery
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Igun Street Gallery Author(s):
Edited By

Type: Article
Country: Nigeria
Language: English
Content:: Non Academic
Source: Edo State Archives
Timeline: The Contemporary Age - From 1950 to present
Published: 2024

Description

Igun Street in Benin City, Edo State, Nigeria, is famous for its rich tradition of bronze casting, a craft that has been practiced by the Benin people for centuries. Known as the home of the **Guild of Benin Bronze Casters**, Igun Street is a living gallery and open-air museum where artisans create and display their works, making it a unique cultural and artistic hub.

Key Features of Igun Street Gallery

1.Center for Benin Bronze Casting: Igun Street is renowned as the heart of bronze casting in Benin City. The street is home to the Guild of Benin Bronze Casters, a group of artisans dedicated to preserving the traditional art of bronze casting, which dates back to the time of the Benin Empire. The guild is one of the last remaining groups in the world to practice the ancient "lost-wax" casting technique.

2. Open-Air Gallery: Unlike conventional galleries, Igun Street serves as an open-air gallery where artisans work and display their art in public view. Visitors can walk along the street and observe the bronze casting process, from molding and casting to finishing and polishing. This direct engagement offers a unique educational experience, allowing visitors to learn about the techniques and cultural significance of bronze casting.

3. Cultural Significance: The art of bronze casting is deeply intertwined with the history and culture of the Benin Kingdom. The bronze pieces often depict historical events, royal figures, deities, and scenes from everyday life, reflecting the social, political, and spiritual life of the Edo people. The works produced on Igun Street continue to be a means of storytelling and cultural expression.

4. Artistic Excellence and Craftsmanship: Artisans on Igun Street are known for their exceptional skill and craftsmanship. They create a wide variety of bronze works, including plaques, sculptures, busts, and reliefs, each characterized by intricate details and a high level of artistry. The quality of work produced here has gained international recognition, with pieces displayed in museums worldwide, including the British Museum and the Metropolitan Museum of Art.

5. UNESCO world Heritage Site: Igun Street has been recognized by UNESCO as a site of "intangible cultural heritage" due to its significant role in preserving the traditional craft of bronze casting. This designation highlights the global importance of the street as a center for cultural heritage and craftsmanship.

6. Tourist Destination: As a major cultural attraction, Igun Street draws tourists, researchers, and art collectors from around the world. It provides a unique opportunity for visitors to purchase authentic Benin bronzes directly from the artisans, ensuring that the local craft is supported and continues to thrive.

Significance

Cultural Preservation: Igun Street plays a crucial role in preserving the traditional art of bronze casting, which is a significant aspect of Edo cultural heritage. The continued practice of this craft helps keep the cultural traditions of the Benin Kingdom alive.

Economic Impact: The street also provides economic benefits to the local community, with many families relying on bronze casting as a primary source of income. The sale of bronze works supports not just the artists, but also the broader community involved in the supply chain of materials and tools.

Educational and Artistic Value: For artists and researchers, Igun Street serves as an important educational resource, offering insights into the techniques and traditions of one of Africa's most renowned artistic practices.

References

1. Ezra, K. (1992).Royal Art of Benin: The Perls Collection in the Metropolitan Museum of Art*. New York: The Metropolitan Museum of Art. This book provides an overview of Benin art and includes discussions of the bronze works and the significance of Igun Street.

2. Nevadomsky, J. (1997). “Casting in Contemporary Benin Art.” *African Arts*, Vol. 30, No. 1, pp. 26-35. This article explores the bronze casting process and the role of Igun Street in preserving this traditional art form.

3. Picton, J., & Mack, J. (1989).African Textiles*. London: British Museum Press. Although this book focuses on textiles, it provides a broader context for understanding the cultural importance of traditional crafts, including bronze casting in Benin.



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